How good it would be to see Miuccia Prada begin to turn her creative intelligence to that subject. Art is art, but fashion is the bigger culprit in damaging the planet. In that, it mirrors the menswear collection Prada put out a few weeks ago. The use of so many unsustainable man-made fabrics is a big one. I wanted to have the freedom exaggerated.”įor anyone who was there, it was a discomfortingly layered, unforgettable experience-that in itself is an achievement in a world of so much bland, unchallenging fashion. My dream,” she said, “is for women to be able to go out in the street and not be afraid. With this collection, she jolted her fashion audience into the realms of performance art a feminist statement, mashing the bourgeois clothes of her brand signatures to produce a vision which she described as “for the strength of women going out in the violence. Mrs Prada put it best in Vogue Runway: Its especially for. Fashion, she argues, is just as serious an endeavor as contemporary art, even though it is routinely looked down upon by art world academics. In 1913, the very first Prada store was founded by Mr Mario Prada (Miuccia Pradas grandfather). She joked with journalists that this show was her “little revenge on the art world, occupying the art space” that she herself will soon fill with the collections acquired by her own family’s Prada Foundation. What could it mean? Miuccia Prada posits fashion as a live commentary which is eternally suspended in the space between politics, sociology, and commerce, searching as it must for the relevant attractions which will make women buy in the moment. Prada’s seemed sketchily put together from hefty utilitarian layers of workwear and tulle, assembled entirely from man-made materials, starting with the company’s black Pocono-nylon padded rainwear. Troubling, dystopian sci-fi experiences are the fashion sensation of the moment the point of decadence where immersion in ideas seems to supersede or question the validity of the clothes. Just before the show, a drone appeared, systematically hovering to record the show and audience reaction, from the outside in. Straight ahead through plate glass windows was a dark cityscape illuminated by neon Prada signs-a cartoon flaming heeled shoe, bunches of bananas, a spider, a monkey, a dinosaur. A brain-fooling black-mirrored floor seemed to fall away to infinity in front of us. And there we took our seats at the edge of an abyss. It took a good 15 minutes for the social experiment to work, for despair to set in, after which there was a collective decision to walk up four floors. On reflection, this modern convenience was probably never going to arrive. There, ostensibly to view her women’s clothes for Fall, a couple of hundred people waited, crowding and jostling ever closer to an elevator at the new Rem Koolhaas extension to the Prada Foundation. Runway Pasta and Prada With Hunter Schafer By Hannah Jackson Runway At Prada, A 100-Year-Old Bag Perfectly Captures Today’s Mood By Laia Garcia-Furtado Runway The Vogue Verdict on. It was kind of a mind fuck to go to Prada. The ribbed sweaters and taffeta minis with trains from Miuccia Prada and Raf Simon’s spring collection are this season’s street-style getsthey’re easily.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |